A Q&A with the cast of Dear Jack, Dear Louise

 A Q&A with the cast of Dear Jack, Dear Louise

Josh Peyton and Sarah Schrader

It’s opening weekend of Dear Jack, Dear Louise! We sat down with our Jack and Louise, Josh Peyton and Sarah Schrader to discuss the show, their relationship to the characters and what audiences can expect from Dear Jack, Dear Louise.

Q. What is Dear Jack, Dear Louise about? 

SS. Dear Jack, Dear Louise is a love story told through the time-treasured medium of letters. Based on the real-life letters written by the playwright’s parents, it is a heartwarming show about two people who found their person and persevered across all odds to be with them. 


Q. Describe Jack. What do you find most interesting about him?

JP. Jack is a rather shy and awkward individual, which is quiet the contrast from Louise who is very vibrant and bubbly.  At first their conversations start with him being a little more reserved and very much reluctant to give out a lot of information in his personal life.  As the play progresses, however, Jack begins to open up and we see that he’s pretty charming and has a very good heart.  I definitely admire Jack’s courage in this show.  We learn very early on in the play that Jack has many reservations about the war, but he has a strong sense of duty to his country and his patients that he watches over.  He admits to being scared about what he has to do more than once but he just doesn’t quit.  


Q. Describe Louise. What do you find most interesting about her?  

 

SS. Louise does not fit into any box you could try to put her in. She’s sweet, she’s brash, she loves people, she’s very funny, and she’s courageous. I think that’s the one that sticks out the most to me. She opens her heart to this boy on the other end of these letters before ever meeting him or even seeing his face, this boy who is an army doctor during one of the worst wars in history. Throughout all the training and the battles and the terrible things Jack is going through, she is there to listen to him. She is in such a helpless position when it comes to all the things Jack is dealing with, and yet she doesn’t give up. There is a specific type of courage people had to have on the home front, and boy, did she have it in spades.   

 


Q. What aspect of Louise do you relate to most?  

 

SS. I like to think we are both equally funny, but that may be optimistic on my part. She’s an actress, and being an actress myself, I can of course relate to the auditions that go south and the ones that go well, but especially the desire to share what happens with others. She has no qualms with telling Jack everything, often in the most dramatic way possible, and my roommates from college will probably tell you that I have much the same tendency. Louise is also a dancer, a very good dancer, and while I am not a very good dancer, I do enjoy occasionally boogie-ing down, particularly at weddings or on slow Saturday mornings. (Again, my roommates will tell you – when Sarah asks for a dance party, it’s best to quickly pick a spot and stay there, because she needs the whole floor.)


Q. What aspect of Jack do you relate to most? 


JP. Easy.  I’m shy and awkward.  Just know that if I come across as that in the show, I’m not acting much.


Q. What is your favorite line in the show?

JP. There is a monologue in the show where Jack talks about one of his personal heroes that just really hits me every time.  Jack doesn’t consider himself to be much of a reader or an intellectual but in that monologue, he truly bears a piece of his soul and the audience gets a glimpse into what inspires him.  It’s beautiful. Also, these aren’t my lines but anytime that Louise attempts to “curse”… it’s just adorable.


SS. Can I say every line? The show is just so doggone cute it’s impossible to pick a favorite!

  

Q. What has been the most challenging part of this production?

JP. In this show, we are telling a heartwarming and funny love story.  Having said that though, I portray a military doctor who goes through literal Hell.  In addition to tending to the wounded from battles on the Pacific, Jack also takes part in the events of D-Day.  If you know or have read anything about the nightmarish battles of WWII, the events of D-Day usually top the  list of being the most horrific.  6,000 men died in the first day alone.  Getting in that mind set every night and making sure that I present it in a way that honors and respects those brave men has been quite the challenge.  And doing that within the context of a love story, where the two individuals in love don’t technically interact with each other except by letter, just kicks up the challenge even higher.


SS. There’s a really wide emotional range throughout the show. I’ve never played a character that goes through what might be every single emotion there is, but Louise pretty much does, and that is a challenge. It’s a big challenge! It leaves you exhausted in the best way by the end of the show.

 

Q. What has been the most rewarding part of this production?  

 

SS. Can I say everything? Even though the wide emotional range is a challenge, it is so rewarding. I do a lot of things in this show I’ve never had to do before, so there has been a lot of growth for me as an actress. Louise is a dream role for me – I couldn’t have written a part I would want to play more if I tried – and I am still somewhat in shock that I get to tell this story every night. But also, this is my first production at OCP! So being able to meet and work with Susie (Director) and Anna (Assistant Director) and Josh (Jack) and Paige (Stage Manager) and the amazing technical staff has been wonderful. They welcomed me with open arms, and I am just so grateful for this opportunity. 

JP. The production team for this show is absolutely incredible.  Each day I walk into rehearsal everyone is committed to giving it their all and I couldn’t ask for a more enthusiastic and professional atmosphere. On top of that my costar, Sarah (Louise), is stupid talented and establishing the relationship between these two characters has been so easy because of how committed she is to her work.  The only frustrating part of the process is that I don’t actually get to see all of her performance because Jack and Louise never look at each other!


Q. What can audiences expect from Dear Jack, Dear Louise? 

 

SS. To use the tissues they brought with them! You will laugh, you will cry, and you will love being immersed in the early 1940s. Also, there’s something so special and fresh about the staging of this play; it is something surprisingly beautiful for the time we are in right now. There is something so relatable to the relationship these two built while they were far away from each other, and considering the last year and a half what we’ve all had to experience, I think that will be the unexpected part of this production that people will be able to relate to. As much as war changes things and as much as the pandemic changed things, it can’t conquer the human spirit, and it can’t conquer love. 

JP. Audiences can expect a heartwarming love story that will resonate with everyone.  While this show may play to a very specific time period, its focus on human connection and the lengths we would go to hold on to those precious relationships in our lives is something everyone can relate to.  And I’m quite sure that everyone who sees this will have at least one family member or loved one who has fond memories of this time period. I was born in the 80’s but still I’m struck with nostalgia just remembering the stories my grandpa has told about his time in the army during WWII.

 

 

 


2021/22 Directing Fellows

Meet the 2021/22 Directing Fellows



The Omaha Community Playhouse is excited to announce the recipients of the 2021/22 OCP Directing Fellowship. This year’s OCP Directing Fellowship Class includes:

Ben Battafarano - Kinky Boots (Assistant Director)

Anna Dragon - Dear Jack, Dear Louise (Assistant Director)

Amber Franklin - The Giver (Assistant Director)

Joey Hartshorn - Murder on the Orient Express (Assistant Director)

Meganne Horrocks - Outside Mullingar (Assistant Director)

Fly Jamerson - The Color Purple (Assistant Director)

Jocelyn Reed - The Mystery of Irma Vep (Assistant Director)

Jon Roberson - Stick Fly (Assistant Director)

The OCP Directing Fellowship was established in an effort to support the development of future Omaha directors. It provides early and mid-career directors the opportunity to develop their skills by assistant directing a regular season show.

Congratulations to the 2021/22 OCP Directing Fellows!

OCP announces the cast of The Mystery of Irma Vep

 Congratulations to the cast of The Mystery of Irma Vep

Actors Ben Beck and Anna Perilo will each play a variety of roles, in this campy, quick-change tour-de-force!

Runs October 8 - November 7, 2021 in the Howard Drew Theatre! Tickets go on sale to the public on Tuesday, August 17.

OCP announces the cast of Murder on the Orient Express

 Congratulations to the cast of Murder on the Orient Express!


Hercule Poirot - Seth Maisel 

James Abuthnot - Billy Ferguson

Mary Debenham - Olivia Howard

Mrs. Helen Hubbard - Connie Lee

Hector MacQueen - Brian Priesman

Monsier Bouc - Ethan Dragon

Princess Dragomiroff - Daena Schwieger

Greta Ohlsson - Roz Parr

Marcel - Adam Bassing

Michel the Conductor - Jay Srygley

Samuel Ratchett - John Brennan

Countess Andrenyi - Jennifer Gilg


Runs September 17 - October 10, 2021 on the Hawks Mainstage! Tickets are on sale now!

OCP announces the cast of Dear Jack, Dear Louise

 Congratulations to the cast of Dear Jack, Dear Louise!





Jack Ludwig - Josh Peyton
Louise Rabiner - Sarah Schrader


Runs August 20 - September 19, 2021 in the Howard Drew Theatre! Tickets on sale Tuesday, July 27 at 10 a.m.!

Omaha Community Playhouse Will Begin Compensating Onstage Performers and Backstage Crew Members Beginning in the 2021/22 Season

The Omaha Community Playhouse is excited to announce that for the first time in our theatre’s 97-year history, we will begin uniformly compensating onstage performers and backstage crew! 
“We are so excited to begin providing compensation to the talented performers and crew who bring this art to life,” said OCP Executive Director, Katie Broman. “While we honor the rich history of volunteer performers at OCP, our organization\exists to serve the Omaha Community. Offering compensation to artists and crew will make performance opportunities more equitable for all members of our community. We also acknowledge the significant time that local artists and theatre technicians dedicate to OCP productions and hope that this compensation will help show our gratitude for their contribution to the community.”  
 
“Our vision is for OCP to be recognized nationally as the leading organization for community-based theatre and education,” Broman explained. “As we approach our 100-year anniversary, we are confident that this decision will bring us closer to achieving that vision and catapult us into the next century of live theatre in Omaha.”
 
Beginning immediately, onstage performers and crew members who work every performance of a production, ages 19 and older, will receive a uniform set fee for each production in which they participate. Fees will vary based on the length of each production’s run. Exact compensation amounts will be published on each production’s audition announcement, available at OmahaPlayhouse.com. 
This is an initiative we have been working on behind-the-scenes for some time, and this year is just the beginning. “We are able to begin this effort in our 2021/22 season thanks to generous community support,” Broman explained. “We will continue to seek funding dedicated to artist compensation to grow this program for future seasons as part of a new artist fund.” 
 
Theatre is an inspiring and transformative art form that everyone should have the opportunity to experience. We hope that this change brings our community one step closer to making that a reality. 
If you are interested in donating to OCP’s new Artist Fund, please visit the link below or contact the OCP Development Department, at (402) 661-8508 or development@omahaplayhouse.com.

Donate to the OCP Artist Fund

A Q&A with the Cast and Crew of Gutenberg! The Musical!

 A Q&A with the Cast and Crew of Gutenberg! The Musical!

Dan Chevalier, Cathy Hirsch and Steve Krambeck

OCP All Stars Dan Chevalier and Steve Krambeck are back in the remount of The Candy Project’s 2015 production of Gutenberg! The Musical! We sat down with Dan, Steve and producer Cathy Hirsch to discuss all things Gutenberg!


Q.
How did The Candy Project get its start? 

CH. The Candy Project was formed by a group of actor-friends who loved musical theatre but felt that area stages were too often retelling the same stories over and over again. We wanted to see more contemporary musical theatre and have the chance to perform in some of our favorite new titles but felt that metro stages were "playing it safe" by only offering tried-and-true shows. We hoped that by offering new works we could open musical theatre to a younger audience. We're happy to say that not only did Omaha audiences love experiencing contemporary musicals, area stages have also become more bold about offering similar shows!


Q. What has it been like reviving this show? 

CH. Dan Chevalier and Steve Krambeck did such a thorough, hilarious job of crafting these characters six years ago. While that is a long stretch of time, the basics of their characters were easily resuscitated. We joked that they were on "week 3" of music rehearsals by day 1 which was a huge benefit for a vocally challenging piece.  With as much time as had passed though, this isn't the exact same show you might have caught the first time around. With the lapse in time, a change of venue and the ideas of a new director, Gutenberg! has kept its heart while morphing into something uniquely its own for this production.

SK. Surreal and intimidating! We had great success six years ago, so people have some expectations that they didn't before. But working with the talented Dan Chevalier is so great and just a ton of fun! I am thrilled to be able to do so again!

DC. It's a very strange experience! I've remounted shows before--in fact, I was in a production of A Christmas Carol seven years in a row--but I've never had a six-year break in between. Much of the show I only vaguely remembered from 2015 and some of it I had completely forgotten. It's been fun going back and rediscovering things with Steve.

 

Q. You play a lot of different characters in the show, which one is your favorite? 

SK. The script does a great job of giving each character a chance to shine, but I think mine's gotta be Historical Heavy Hitter Mr. Johann Gutenberg. 

DC. Monk is my favorite. I rarely get cast as the bad guy, so it’s fun playing the villain from time to time, especially a villain who is evil in the most ridiculous ways.

Q. What is your favorite line in the show? 

SK. There are so many one liners and non-sequiturs, that any of them can really get you on any particular day. As a default, my favorite line is the only one where I curse like a sailor.

DC. "I stole a bunch of cookies."


Q. If you could write a musical about anyone, who would it be and why?

DC. Jim Henson, because he produced so many creative, hilarious and innovative characters and stories. I'm sure his life story would be a compelling one to write a musical about. Also, I've always loved anything Muppet related.

SK. I'm a big fan of Ancient Mythology, so I think I would really enjoy writing a musical based on some of those.

CH. Satan the Cat. He makes a cameo in Gutenberg! The Musical! but I think he has more of a story to tell. How did he get to this point? What drove him to become the fluffy evil henchman we know and love today? Really, there is so much to unpack here, and I'd love to hear him meow it out.


Q. How do you prepare for a performance of Gutenberg!?  

SK. 6 years ago, I made Dan run the first act lines with me. Then during intermission, I made him run act two. This time will probably be the same, but maybe I'll change it up and have a taco bar backstage.

DC. Lots of vocal warmups--for as silly as this show is, it's also incredibly vocally challenging. I have to be able to growl some low notes as Monk and then hit super high falsetto notes as Daughter. Also, last time around, six years ago, Steve and I would do a speed run-through of Act 1 before the show and a speed run-through of Act 2 during intermission. Maybe we'll keep that tradition alive this time around, too.


Q. Why should people come see Gutenberg!?

CH. Bud and Doug are ridiculous, completely off-base and terrible writers. But they do everything with such unbridled, naive gusto that you can't help but root for their dumb, bad idea to be a success. The actors are a comedic tour-de-force that can't be missed. I've seen these scenes dozens of times and I still laugh out loud at their perfect nuances and new bits that get layered in all the time. After the year we've all had, we deserve this good, hard laugh. 

DC. Gutenberg! The Musical! is a show so filled to the brim with joy that it's got two exclamation points in the title! If you want to smile and laugh and have songs stuck in your head for weeks, come see this show.

SK. Come out to have a good time and laugh and smile. It feels good! Also, Dan's talent is worth the price of admission. He's incredible!!