2021/22 Directing Fellows

Meet the 2021/22 Directing Fellows



The Omaha Community Playhouse is excited to announce the recipients of the 2021/22 OCP Directing Fellowship. This year’s OCP Directing Fellowship Class includes:

Ben Battafarano - Kinky Boots (Assistant Director)

Anna Dragon - Dear Jack, Dear Louise (Assistant Director)

Amber Franklin - The Giver (Assistant Director)

Joey Hartshorn - Murder on the Orient Express (Assistant Director)

Meganne Horrocks - Outside Mullingar (Assistant Director)

Fly Jamerson - The Color Purple (Assistant Director)

Jocelyn Reed - The Mystery of Irma Vep (Assistant Director)

Jon Roberson - Stick Fly (Assistant Director)

The OCP Directing Fellowship was established in an effort to support the development of future Omaha directors. It provides early and mid-career directors the opportunity to develop their skills by assistant directing a regular season show.

Congratulations to the 2021/22 OCP Directing Fellows!

OCP announces the cast of The Mystery of Irma Vep

 Congratulations to the cast of The Mystery of Irma Vep! 

Actors Ben Beck and Anna Perilo will each play a variety of roles, in this campy, quick-change tour-de-force!

Runs October 8 - November 7, 2021 in the Howard Drew Theatre! Tickets go on sale to the public on Tuesday, August 17.

OCP announces the cast of Murder on the Orient Express

 Congratulations to the cast of Murder on the Orient Express!


Hercule Poirot - Seth Maisel 

James Abuthnot - Billy Ferguson

Mary Debenham - Olivia Howard

Mrs. Helen Hubbard - Connie Lee

Hector MacQueen - Brian Priesman

Monsier Bouc - Ethan Dragon

Princess Dragomiroff - Daena Schwieger

Greta Ohlsson - Roz Parr

Marcel - Adam Bassing

Michel the Conductor - Jay Srygley

Samuel Ratchett - John Brennan

Countess Andrenyi - Jennifer Gilg


Runs September 17 - October 10, 2021 on the Hawks Mainstage! Tickets are on sale now!

OCP announces the cast of Dear Jack, Dear Louise

 Congratulations to the cast of Dear Jack, Dear Louise!





Jack Ludwig - Josh Peyton
Louise Rabiner - Sarah Schrader


Runs August 20 - September 19, 2021 in the Howard Drew Theatre! Tickets on sale Tuesday, July 27 at 10 a.m.!

Omaha Community Playhouse Will Begin Compensating Onstage Performers and Backstage Crew Members Beginning in the 2021/22 Season

The Omaha Community Playhouse is excited to announce that for the first time in our theatre’s 97-year history, we will begin uniformly compensating onstage performers and backstage crew! 
“We are so excited to begin providing compensation to the talented performers and crew who bring this art to life,” said OCP Executive Director, Katie Broman. “While we honor the rich history of volunteer performers at OCP, our organization\exists to serve the Omaha Community. Offering compensation to artists and crew will make performance opportunities more equitable for all members of our community. We also acknowledge the significant time that local artists and theatre technicians dedicate to OCP productions and hope that this compensation will help show our gratitude for their contribution to the community.”  
 
“Our vision is for OCP to be recognized nationally as the leading organization for community-based theatre and education,” Broman explained. “As we approach our 100-year anniversary, we are confident that this decision will bring us closer to achieving that vision and catapult us into the next century of live theatre in Omaha.”
 
Beginning immediately, onstage performers and crew members who work every performance of a production, ages 19 and older, will receive a uniform set fee for each production in which they participate. Fees will vary based on the length of each production’s run. Exact compensation amounts will be published on each production’s audition announcement, available at OmahaPlayhouse.com. 
This is an initiative we have been working on behind-the-scenes for some time, and this year is just the beginning. “We are able to begin this effort in our 2021/22 season thanks to generous community support,” Broman explained. “We will continue to seek funding dedicated to artist compensation to grow this program for future seasons as part of a new artist fund.” 
 
Theatre is an inspiring and transformative art form that everyone should have the opportunity to experience. We hope that this change brings our community one step closer to making that a reality. 
If you are interested in donating to OCP’s new Artist Fund, please visit the link below or contact the OCP Development Department, at (402) 661-8508 or development@omahaplayhouse.com.

Donate to the OCP Artist Fund

A Q&A with the Cast and Crew of Gutenberg! The Musical!

 A Q&A with the Cast and Crew of Gutenberg! The Musical!

Dan Chevalier, Cathy Hirsch and Steve Krambeck

OCP All Stars Dan Chevalier and Steve Krambeck are back in the remount of The Candy Project’s 2015 production of Gutenberg! The Musical! We sat down with Dan, Steve and producer Cathy Hirsch to discuss all things Gutenberg!


Q.
How did The Candy Project get its start? 

CH. The Candy Project was formed by a group of actor-friends who loved musical theatre but felt that area stages were too often retelling the same stories over and over again. We wanted to see more contemporary musical theatre and have the chance to perform in some of our favorite new titles but felt that metro stages were "playing it safe" by only offering tried-and-true shows. We hoped that by offering new works we could open musical theatre to a younger audience. We're happy to say that not only did Omaha audiences love experiencing contemporary musicals, area stages have also become more bold about offering similar shows!


Q. What has it been like reviving this show? 

CH. Dan Chevalier and Steve Krambeck did such a thorough, hilarious job of crafting these characters six years ago. While that is a long stretch of time, the basics of their characters were easily resuscitated. We joked that they were on "week 3" of music rehearsals by day 1 which was a huge benefit for a vocally challenging piece.  With as much time as had passed though, this isn't the exact same show you might have caught the first time around. With the lapse in time, a change of venue and the ideas of a new director, Gutenberg! has kept its heart while morphing into something uniquely its own for this production.

SK. Surreal and intimidating! We had great success six years ago, so people have some expectations that they didn't before. But working with the talented Dan Chevalier is so great and just a ton of fun! I am thrilled to be able to do so again!

DC. It's a very strange experience! I've remounted shows before--in fact, I was in a production of A Christmas Carol seven years in a row--but I've never had a six-year break in between. Much of the show I only vaguely remembered from 2015 and some of it I had completely forgotten. It's been fun going back and rediscovering things with Steve.

 

Q. You play a lot of different characters in the show, which one is your favorite? 

SK. The script does a great job of giving each character a chance to shine, but I think mine's gotta be Historical Heavy Hitter Mr. Johann Gutenberg. 

DC. Monk is my favorite. I rarely get cast as the bad guy, so it’s fun playing the villain from time to time, especially a villain who is evil in the most ridiculous ways.

Q. What is your favorite line in the show? 

SK. There are so many one liners and non-sequiturs, that any of them can really get you on any particular day. As a default, my favorite line is the only one where I curse like a sailor.

DC. "I stole a bunch of cookies."


Q. If you could write a musical about anyone, who would it be and why?

DC. Jim Henson, because he produced so many creative, hilarious and innovative characters and stories. I'm sure his life story would be a compelling one to write a musical about. Also, I've always loved anything Muppet related.

SK. I'm a big fan of Ancient Mythology, so I think I would really enjoy writing a musical based on some of those.

CH. Satan the Cat. He makes a cameo in Gutenberg! The Musical! but I think he has more of a story to tell. How did he get to this point? What drove him to become the fluffy evil henchman we know and love today? Really, there is so much to unpack here, and I'd love to hear him meow it out.


Q. How do you prepare for a performance of Gutenberg!?  

SK. 6 years ago, I made Dan run the first act lines with me. Then during intermission, I made him run act two. This time will probably be the same, but maybe I'll change it up and have a taco bar backstage.

DC. Lots of vocal warmups--for as silly as this show is, it's also incredibly vocally challenging. I have to be able to growl some low notes as Monk and then hit super high falsetto notes as Daughter. Also, last time around, six years ago, Steve and I would do a speed run-through of Act 1 before the show and a speed run-through of Act 2 during intermission. Maybe we'll keep that tradition alive this time around, too.


Q. Why should people come see Gutenberg!?

CH. Bud and Doug are ridiculous, completely off-base and terrible writers. But they do everything with such unbridled, naive gusto that you can't help but root for their dumb, bad idea to be a success. The actors are a comedic tour-de-force that can't be missed. I've seen these scenes dozens of times and I still laugh out loud at their perfect nuances and new bits that get layered in all the time. After the year we've all had, we deserve this good, hard laugh. 

DC. Gutenberg! The Musical! is a show so filled to the brim with joy that it's got two exclamation points in the title! If you want to smile and laugh and have songs stuck in your head for weeks, come see this show.

SK. Come out to have a good time and laugh and smile. It feels good! Also, Dan's talent is worth the price of admission. He's incredible!!

 

 

A Q&A with Broadway's Ray Mercer


 A Q&A with Broadway's Ray Mercer

Ray Mercer

Broadway Actor & Choreographer Ray Mercer is returning to the Omaha Community Playhouse as the Choreographer for our upcoming production of Ain't Misbehavin'! We asked Ray a few questions about his experiences on Broadway, his theatre career journey and his creative process.

Q. How did you get started in theatre?

RM. In middle school I would attend summer theater workshops. But I fell in love with theater when I did my first musical, Funny Girl, at OCP.  

Q. Can you tell us about the moment you found out you were cast in The Lion King?

RM. That moment change my life forever. I was working as a flight attendant and living in Chicago. I had just flown back from an audition in New York and the first message on my phone was a casting agent saying that I had been cast in The Lion King. My life would be forever changed. 

Q. What about The Lion King has kept you there for 17 years?

RM. The Lion King is a special show with very special people. I am grateful to be living within my passion. I am constantly inspired by the magic that the cast and crew brings to the show eight times a week. Inspiration has kept me there so long. 

Q. What was your experience like moving from Nebraska to New York? Do you have any advice for aspiring theatre professionals looking to make the big move?

RM. I attended college in New Orleans and spent some time in Chicago before I moved to New York.  It was an adjustment getting used to the fast pace of the city, but I instantly fell in love with all that New York had to offer. My advice would be if you are planning to make a career shift to New York, preparation is the key. Have a game plan, make connections and be prepared to stay focused and work hard. The city is very competitive and unforgiving at times.  

Q. What is your process like when creating choreography?

RM. My choreographic process varies depending on the task, job or commission. I am constantly driven by the things that connect us all. Any thing that is humanistic--that is usually my starting point. When I find a topic that I am inspired by, I get the dancers or actors in the room and I start to develop movement. I build on that and eventually I will have structured a work.

Q. Who are your biggest influences?

RM. My biggest influence is LIFE. I am constantly influenced by the things that are happening in the world, conversations that I have had, books I've read. Everyday life is one of my main influences when creating art

Q. Why should people come see Ain’t Misbehavin’ at OCP?

RM. People should see Ain't Misbehavin' because it is a musical treasure. To celebrate Fats Waller's music is a gift within itself. The show is so full of life. You will laugh, you might cry, but you will be guaranteed to be inspired.