A Q&A with OCP's new Artistic Director, Stephen Santa

  A Q&A with OCP's new Artistic Director, Stephen Santa


This past November, OCP welcomed a new artistic director, Stephen Santa. A seasoned director, educator and arts advocate, who has dedicated much of his career to creating accessible theatre experiences for neurodivergent youth. We are so excited to have Stephen join our theatre community!

Q. How did you get started in theatre?

SS. I was hit with the “theatre bug” early and I started performing when I was eight. One of my first professional productions was an annual production of A Christmas Carol like ours here at OCP. Being a young performer on stage next to adults with snow falling, fog flowing and carols in the air are some of my fondest memories from my childhood.  

Q. Tell us about your work with Jumping Jack Theater?

SS. I co-founded Jumping Jack Theater so that everyone can have an opportunity to experience live theatre experiences in a safe, non-judgmental and welcoming environment. JJT creates sensory oriented theatre experiences for young audiences with developmental disabilities and sensory sensitivities. All our shows were conceived within Autism Support classrooms with students who were able to provide feedback so that we could work towards creating theatre that was as accessible as possible. I’m so proud of my time with Jumping Jack and I hope to continue this type of programming in the future here at OCP.  

Q. Who are your biggest influences in theatre?

SS. I think about the teachers, directors and friends who’ve championed me throughout my career. I think about the Artistic Director at my local community theater in my hometown of Pittsburgh who took a chance on me to direct my first musical ever. I think about my theatre teachers who spent that extra ten minutes with me to really make sure I understood. I think of all those people who told me not to give up. These are the most important influences. I’ll have to add Susie Baer Collins to this list as well. In just a few short months she’s gifted me with so much knowledge and kindness that I’ll carry with me forever. 

Q. What is your directing process like?

SS. I’m a director who thrives in collaboration. The entire process from the first production meeting to the final curtain excites me! When you walk into a rehearsal room with me, you’ll find a warm, safe, constructive, efficient and most importantly fun environment where we can create something magical together. Community theater is about finding where you belong and hopefully through hard work, discovering something new about yourself. It’s my true honor to be here at OCP and to help create these long-lasting memories for our community. 

Q. What is your favorite part about Omaha so far?

SS. I’ve loved exploring the diverse food scene here. There are so many options and I feel like I’ve just hit the tip of the iceberg. I love eating at local restaurants and trying something new and exciting. Look for me at Lola’s or Hardy Coffee Co. on the weekends enjoying a coffee drink and reading plays. 

Q. What was it like observing the A Christmas Carol rehearsal process?

SS. It was such a joyous experience. I loved watching the talented cast work so hard but always leave with smiles on their faces. It was also a wonderful opportunity for me to listen and learn about the extensive history and tradition of OCP and A Christmas Carol in particular. I look forward to continuing the tradition and bringing families together in our audience for years to come. 

Q. What are you looking forward to the most in your new position?

SS. I’m so excited to continue the long-standing tradition of exceptional community theater here at OCP! It’s certainly a goal of mine for everyone in our community to be able to come to a show and see a bit of themselves up on the stage. Theatre certainly entertains but it can heal as well. I want to program a diverse group of plays and musicals that will spark conversation for our audiences long after the curtain has come down. 




A Q&A with Roxanne Wach, Director of Bright Star

 

 A Q&A with Roxanne Wach, Director of Bright Star


After a two year wait Bright Star opens on the Hawks Mainstage on January 21! We sat down with Director Roxanne Wach to ask her about the show, what it's like being back in rehearsal and what audiences can expect from the show!

Q. What is Bright Star about?

RW. Bright Star is set in the Blue Ridge Mountains in North Carolina in the 1940s and 1920s.  It’s based on playwright and composers, Steve Martin and Edie Brickell’s album, Love Has Come For You, and a bit of the legend of the Iron Mountain Baby. It follows Alice and Jimmy Ray, and also Billy and Margo… and their great stories. I don’t really want to give more away!  There are such surprises in store for the audience.

 Q. What has it been like being back in the rehearsal room for Bright Star?

RW. It’s always exciting to be in the rehearsal room and watch the actors inhabit the characters and breathe life into a story. We all had so much invested in the production when it shut down in March of 2020. It’s wonderful to be back.

 Q. What do you love most about this show?

RW. Collaborating with my music director, Jennifer Novak Haar, and choreographer, Julian Adair – and the exceptional staff at OCP. I have such a great time working together with everyone to make the show happen.

Q. What do you hope audiences will take away?

RW. To always hope, no matter what life throws at you.

 Q. What should audiences expect from Bright Star?

RW. It is a roller coaster ride! There's love, rebellion, tragedy, loss, hope, redemption... It's got everything, including a deeply talented cast and band. I know it will be a very entertaining evening for everyone!