Congratulations to the cast of The Color Purple! Directed by Kathy Tyree.
OCP announces the cast of The Color Purple
OCP announces the cast of Bright Star
Congratulations to the cast of Bright Star! Directed by Roxanne Wach
OCP announces the cast of Outside Mullingar
Congratulations to the cast of Outside Mullingar! Directed by Susan Baer Collins.
Aoife Muldoon – Judy Radcliff
Rosemary Muldoon – Laura Beeghly
Tony Reilly – Don Keelan-White
Anthony Reilly– Chris Shonka
Outside Mullingar runs February 17 - March 13 in the Howard Drew! Tickets are on sale now!
OCP announces the cast of A Christmas Carol 2021
We are thrilled to announce the cast for A Christmas Carol—in the Hawks Mainstage Theatre Nov. 19 – Dec. 23! Tickets are on sale now!
Ebenezer Scrooge – Jerry Longe
Bob Cratchit – Chris Berger
Tim Cratchit – Vienna Maas
Fred – Noah Jeffrey
Jacob Marley – Don Keelan-White
Ghost of Christmas Past / Myrtle Crow – Julie
Huff
Ghost of Christmas Present / 2nd Charity Man / Toyshop Keeper – Jonathan
Hickerson
Mrs. Cratchit – Christina Rohling
Mr. Fezziwig / 1st Charity Man / Baker – Mark Haufle
Mrs. Fezziwig / Baker’s Wife – Lauren Johnson
Young Scrooge – Benjamin Brickner
Belle Fezziwig – Bethany Folks
Millie – Megan Morrissey
Lucy – Hannah Rembert
Topper – Cullen Wiley
Jake – Seth Maisel
Nell/Mrs. Dilber – Kim Clark-Kaczmarek
Chestnut Vendor – Sara Tiemann
Poulterer – Brandon Fisher
Beggar – Joshua Orsi
Martha Cratchit – Emma Powell
Peter Cratchit/School Boy – Tyson Bentley
Frances Cratchit – Madeline Scarsi
Belinda Cratchit/Fan – Anina Frey
Ebby – Cruz Martinez
School Boy/ Greenery Vendor – Carter Frey
School Boy/ Boy with Sled – Benjamin Rohling
Toyshop Assistant – Cadee Scheer
Little Bo Peep – Halaina Hunter
Little Boy Blue – Claire Caskey
Adult Ensemble – Elizabeth Fleissner
Adult Ensemble – Tom Neumann
Youth Ensemble – Grace Messina
A Q&A with Anthony Clark-Kaczmarek, Director of Murder on the Orient Express
A Q&A with Anthony Clark-Kaczmarek, Director of Murder on the Orient Express
Meet OCP's new Artistic Director!
Meet OCP's new Artistic Director!
Currently based out of Pittsburgh, PA, Stephen is a seasoned director, educator and arts advocate who has dedicated much of his career to creating accessible theatre experiences for neurodivergent youth. He founded, and currently serves as the artistic director of, Jumping Jack Theater, a children's theater company that produces new works for audiences with developmental disabilities and sensory sensitivities. In 2019, he received the Stage Directors and Choreographers Society (SDC) Standout Moment Award for his work with Jumping Jack Theater, a national honor that recognizes outstanding contributions to the advancement of equity, diversity and inclusion in the theatre industry.
An alumni of the American Musical and Dramatic Academy of New York, Stephen has directed over 50 musicals and numerous plays, including international festivals, off-Broadway, national tours, and regional theatre productions across the country. He was named one of Pittsburgh’s Top Directors by CBS Pittsburgh and has received awards and accolades for his productions of Avenue Q (Best Musical, BroadwayWorld Regional Awards; Best Local Stage Production, Pittsburgh City Paper), Hedwig and the Angry Inch (Best Local Stage Production, Pittsburgh City Paper) and Dani Girl (Five Stars, BroadwayBaby).
Stephen’s international credits include work with Edinburgh Fringe. Off Broadway and New York City credits include work with Arts Nova and the New York Musical Theatre Festival. Regional credits include Pittsburgh Musical Theatre, Split Stage Productions, Sheboygan Theatre Company, Front Porch Theatricals, Park Productions, Throughline Theatre Company, The Gilbert Theatre, The Bald Theatre Company, The Cresson Lake Playhouse, Stage 62, South Park Theater, Mon River Arts, Little Lake Theatre, The Old Schoolhouse Players, and The Theatre Factory.
He served as assistant director for the national tour of Flashdance the Musical (directed by Sergio Trujillo), the North American premier of The Monster in the Hall (directed by Tracy Brigden), and Pop! (directed by Brad Rouse/choreographed by Billy Porter).
“We are so thrilled to have Stephen Santa joining our team,” said OCP Executive Director Katie Broman. “In addition to his exceptional resume, Stephen is incredibly passionate about serving his community through the arts.”
“I’m truly honored to join the Omaha Community Playhouse family as we blaze a new path into the future while honoring the exceptional legacy forged over the last century.” Stephen said. “As the new artistic director, I am committed to a strong focus on DEIA progress, innovative educational pathways for all members of the community and producing entertaining, thought-provoking and memorable productions on our stages. We will continue to inspire all who step through the doors by immersing them in beautiful storytelling where every audience member can attend a production and see a reflection of themselves on stage.”
Susan Baer Collins, former OCP associate artistic director who has been acting as OCP’s interim artistic director since January, will work with Stephen during the transition.
Please help us in welcoming Stephen to Omaha and to our theatre community!
A Q&A with the cast of Dear Jack, Dear Louise
A Q&A with the cast of Dear Jack, Dear Louise
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| Josh Peyton and Sarah Schrader |
It’s opening weekend of Dear Jack, Dear Louise! We sat down
with our Jack and Louise, Josh Peyton and Sarah Schrader to discuss the
show, their relationship to the characters and what audiences can expect from Dear
Jack, Dear Louise.
Q. What is Dear Jack,
Dear Louise about?
SS. Dear Jack, Dear Louise is a love story told through the
time-treasured medium of letters. Based on the real-life letters written by the
playwright’s parents, it is a heartwarming show about two people who found
their person and persevered across all odds to be with them.
Q. Describe Jack. What do you find most interesting about him?
JP. Jack is a rather shy and awkward individual, which is quiet the contrast from Louise who is very vibrant and bubbly. At first their conversations start with him being a little more reserved and very much reluctant to give out a lot of information in his personal life. As the play progresses, however, Jack begins to open up and we see that he’s pretty charming and has a very good heart. I definitely admire Jack’s courage in this show. We learn very early on in the play that Jack has many reservations about the war, but he has a strong sense of duty to his country and his patients that he watches over. He admits to being scared about what he has to do more than once but he just doesn’t quit.
Q. Describe Louise. What do you find most
interesting about her?
SS. Louise does not fit into any box you could try to put her
in. She’s sweet, she’s brash, she loves people, she’s very funny, and she’s
courageous. I think that’s the one that sticks out the most to me. She opens
her heart to this boy on the other end of these letters before ever meeting him
or even seeing his face, this boy who is an army doctor during one of the worst
wars in history. Throughout all the training and the battles and the terrible
things Jack is going through, she is there to listen to him. She is in such a
helpless position when it comes to all the things Jack is dealing with, and yet
she doesn’t give up. There is a specific type of courage people had to have on
the home front, and boy, did she have it in spades.
Q. What aspect of Louise do you relate to
most?
SS. I like to think we are both equally funny,
but that may be optimistic on my part. She’s an actress, and being an actress
myself, I can of course relate to the auditions that go south and the ones that
go well, but especially the desire to share what happens with others. She has
no qualms with telling Jack everything, often in the most dramatic way
possible, and my roommates from college will probably tell you that I have much
the same tendency. Louise is also a dancer, a very good dancer, and while I am
not a very good dancer, I do enjoy occasionally boogie-ing down, particularly
at weddings or on slow Saturday mornings. (Again, my roommates will tell you –
when Sarah asks for a dance party, it’s best to quickly pick a spot and stay
there, because she needs the whole floor.)
Q. What aspect of Jack do you relate to most?
JP. Easy. I’m shy and awkward. Just know that if I come across as that in the show, I’m not acting much.
Q. What is your favorite line in the show?
JP. There is a monologue in the show where Jack talks about one of his personal heroes that just really hits me every time. Jack doesn’t consider himself to be much of a reader or an intellectual but in that monologue, he truly bears a piece of his soul and the audience gets a glimpse into what inspires him. It’s beautiful. Also, these aren’t my lines but anytime that Louise attempts to “curse”… it’s just adorable.
SS. Can I say every line? The show is just so doggone cute it’s impossible to pick a favorite!
Q. What has been the most challenging part of this production?
JP. In this show, we are telling a heartwarming and funny love story. Having said that though, I portray a military doctor who goes through literal Hell. In addition to tending to the wounded from battles on the Pacific, Jack also takes part in the events of D-Day. If you know or have read anything about the nightmarish battles of WWII, the events of D-Day usually top the list of being the most horrific. 6,000 men died in the first day alone. Getting in that mind set every night and making sure that I present it in a way that honors and respects those brave men has been quite the challenge. And doing that within the context of a love story, where the two individuals in love don’t technically interact with each other except by letter, just kicks up the challenge even higher.
SS. There’s a really wide emotional range throughout the show. I’ve never played a character that goes through what might be every single emotion there is, but Louise pretty much does, and that is a challenge. It’s a big challenge! It leaves you exhausted in the best way by the end of the show.
Q. What has been the most rewarding part of
this production?
SS. Can I say everything? Even though the
wide emotional range is a challenge, it is so rewarding. I do a lot of things
in this show I’ve never had to do before, so there has been a lot of growth for
me as an actress. Louise is a dream role for me – I couldn’t have written a
part I would want to play more if I tried – and I am still somewhat in shock
that I get to tell this story every night. But also, this is my first
production at OCP! So being able to meet and work with Susie (Director) and
Anna (Assistant Director) and Josh (Jack) and Paige (Stage Manager) and the
amazing technical staff has been wonderful. They welcomed me with
open arms, and I am just so grateful for this opportunity.
JP. The production team for this show is absolutely incredible. Each day I walk into rehearsal everyone is committed to giving it their all and I couldn’t ask for a more enthusiastic and professional atmosphere. On top of that my costar, Sarah (Louise), is stupid talented and establishing the relationship between these two characters has been so easy because of how committed she is to her work. The only frustrating part of the process is that I don’t actually get to see all of her performance because Jack and Louise never look at each other!
Q. What can audiences expect from Dear Jack, Dear Louise?
SS. To use the tissues they brought with them!
You will laugh, you will cry, and you will love being immersed in the early
1940s. Also, there’s something so special and fresh about the staging of this
play; it is something surprisingly beautiful for the time we are in right now.
There is something so relatable to the relationship these two built while they
were far away from each other, and considering the last year and a half what
we’ve all had to experience, I think that will be the unexpected part of this
production that people will be able to relate to. As much as war changes things
and as much as the pandemic changed things, it can’t conquer the human spirit,
and it can’t conquer love.
JP. Audiences can expect a heartwarming love story that will resonate
with everyone. While this show may play to a very specific time
period, its focus on human connection and the lengths we would go to hold on
to those precious relationships in our lives is something everyone can relate
to. And I’m quite sure that everyone who sees this will have at
least one family member or loved one who has fond memories of this time period.
I was born in the 80’s but still I’m struck with nostalgia just remembering the
stories my grandpa has told about his time in the army during WWII.




